HomeMy WebLinkAboutOPM-RHDM Chicago Collects Exhibition AgreementPage 1 of 12
EXHIBITION LOAN AGREEMENT
This Exhibition Agreement (the “Agreement”) is between the Richard H. Driehaus
Museum, (“RHDM”), which has its principal offices at 50 East Erie Street, Chicago,
Illinois 60611, and the Oshkosh Public Museum (“OPM”), which has its principal offices
at 1331 Algoma Blvd, Oshkosh, WI 54901 concerning the exhibition titled: Chicago
Collects: Jewelry in Perspective.
Intending to be legally bound, RHDM and OPM hereby agree as follows:
1. Exhibition Organization
The Exhibition will be organized by RHDM.
2. Exhibition Title
The title of the Exhibition is Chicago Collects: Jewelry In Perspective.
OPM shall not change the title without the advance, written approval of RHDM.
3. Exhibition Location and Dates
The Exhibition will be on display to the general public at OPM’s premises at 1331
Algoma Blvd, Oshkosh, WI 54901 from September 19, 2026, to March 20, 2027
(TBC). The Exhibition dates may be adjusted only with the advance, written
approval of RHDM.
4. Exhibition Content
a. Content: The Exhibition consists of approximately 200 jewelry and decorative
art objects (“Works”) determined by RHDM. Exhibit A, Exhibition Checklist,
contains a list of Works chosen for the Exhibition. In consultation with
RHDM’s Collections and Exhibitions department, the venue may make minor
modifications to the exhibition layout with prior written approval.
b. Deletions to Exhibition: OPM may not make deletions from the Exhibition
without the advance, written agreement of RHDM. If RHDM grants
permission to make deletions from the Exhibition, the Works not displayed in
the Exhibition by OPM must be stored in a facility (which may include a
facility operated by OPM) and in a manner approved in advance in writing by
RHDM, including appropriate security and environmental conditions. OPM
will pay all costs incurred in deleting Work(s).
c. Additions to the Exhibition: OPM may not make additions to the Exhibition
without the written agreement of RHDM. If RHDM grants permission to
make additions to the Exhibition, OPM will make all arrangements for the
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loan of such works. In addition, OPM will pay all costs associated with such
loans, including but not limited to loan negotiations, loan agreements, loan
fees, conservation as required by lenders, packing, shipping, and couriers, and
necessary insurance. Additions to the Exhibition are outside the scope of this
Agreement.
d.Withdrawal from Exhibition: RHDM reserves the right to withdraw Work(s)
from the Exhibition during its tour. In such instances, OPM is requested to
comply promptly with packing, shipping and other instructions provided by
RHDM. RHDM will use reasonable efforts to replace withdrawn Work(s)
with another (others) of comparable quality. The expense involved in the
withdrawal/substitution of Work(s) will be covered by RHDM unless alternate
arrangements are made. RHDM will not be responsible for any refund to
OPM or other penalty for such withdrawal.
5.Loan Agreements
a.RHDM has the responsibility for making arrangements with lenders of Works to
the Exhibition. RHDM will prepare and send loan requests, receive replies,
coordinate necessary information and negotiations pursuant to loan approvals,
and retain executed loan agreements. RHDM will inform OPM of restrictions
stipulated by lenders within three months prior to OPM’s opening date and OPM
agrees to abide by these restrictions. RHDM will negotiate loan agreements in
good faith for all venues, but some lenders may require separate loan agreements
for each venue, in which case OPM shall be required to make loan arrangements
with such lender. RHDM will not agree to any loan terms which will cause OPM
to assume liability in addition to liability assumed under this Agreement without
the prior approval of OPM for the work(s) while on loan.
6.Financial Arrangements: OPM will pay the Participation Fee and expenses as set
forth below to RHDM:
a.Participation Fee: In order to be permitted to participate in the Exhibition,
OPM shall pay RHDM the Participation Fee of twenty thousand U.S. dollars
($20,000.00). Payment will occur in two installments: ten thousand U.S.
dollars ($10,000.00) payable within fifteen (15) business days of the execution
of this Agreement; ten thousand U.S. dollars ($10,000.00) payable within
fifteen (15) business days of the exhibition opening date on September 19,
2026.
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b.Borrower’s Expense: OPM is responsible for the inbound and return shipping
costs, courier expenses, contract mount maker expenses, and local costs.
i.Couriers: RHDM requires courier(s) accompaniment. OPM will be
responsible for all costs incurred for all trips at the beginning and
end of the exhibition including ground transportation and room and
board for the following minimum number of days: 2 nights and 3
days to Midwestern region institutions. In addition to lodging, the
courier will receive a per diem of seventy-five U.S. dollars
($75.00). If the courier(s) must stay longer to see the Works safely
installed, OPM will be responsible for the courier(s) expenses for
any additional days.
ii.Contract Mount Maker: Patrick Dykstra from SR Creative
Services, LLC is the Mount Maker for the Exhibition and is
required to be contracted by OPM for three days during the
installation and deinstallation periods.
iii.Local Costs: OPM will be individually responsible for all local
costs incurred in presenting the Exhibition at OPM’s premises,
including but not limited to loading and unloading transport
vehicles, unpacking and repacking, crate storage, installation and
dismantling, printed materials, educational or other programs,
publicity and promotion, opening events, and additional security at
its premises. Additional staffing necessary to accomplish the
foregoing will be considered a local cost.
c.Admission Fees and Related Revenues: Revenues earned by OPM from
admission fees charged for the Exhibition and additional revenues earned
from the sale by OPM of audio tours, catalogues and other merchandise may
be retained by OPM. OPM will be responsible for taxes or other charges on
such revenues.
7.Packing, Shipping, Care and Handling of the Exhibition
a.Packing and Handling: The packing and handling of the Exhibition Works at
OPM’s premises will be OPM's responsibility. Works can only be handled by
qualified members of OPM’s staff (no interns or volunteers) and will be
conducted under the surveillance of OPM’s curator and RHDM’s courier(s).
OPM agrees to wait a 24-hour period before opening crates on their premises
to allow acclimatization. Unless otherwise authorized by RHDM, unpacking
and repacking of the Works will not take place unless an RHDM courier is
present.
i.Packing Cases: RHDM will arrange for the fabrication of packing
cases. OPM will maintain the cases in good condition, preserve
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any loose packing materials inside the case to which they belong,
and store the cases in areas where the temperature and humidity
conditions are equivalent to those in the Exhibition galleries. If
empty cases must be stored in areas without environmental
controls, they must be returned to an area with temperature and
humidity at Exhibition gallery levels and allowed to re-acclimatize
for a minimum of 48 hours before the Exhibition is repacked.
Empty cases must be stored in areas with appropriate pest control.
b.Shipping: RHDM’s Collections and Exhibitions Department will make
inbound shipping arrangements in consultation with OPM staff. OPM will be
responsible to coordinate the return shipping arrangements in consultation
with RHDM. Selection of transport company/agent for the return shipment
must be approved by both parties 30 days in advance of shipment.
c.Couriers: In addition to any lender-required courier(s), RHDM courier(s) will
be present during the unpacking, examination, installation and during the
dismantling, examination, and repacking of the Exhibition at OPM’s premises.
8.Condition Reports, Reporting Loss or Damage, Conservation
a.Condition Reports: RHDM will provide a condition report for each Work in
the Exhibition and these condition reports will accompany the Works for the
Exhibition’s duration. During the unpacking and repacking of the Exhibition
Works at OPM, RHDM’s representatives, OPM’s conservator, or a qualified
member of OPM’s staff will note on the condition report any change (or “no
change”) in the condition of the Work. OPM will perform regular condition
checks of the Works in the galleries while the Exhibition is on view and will
reference the condition reports during this process. The condition reports will
be the only official record of changes in the condition of the Works.
Immediately following the packing and release of the Works for return
shipment to its lenders, OPM will forward the original condition reports to
RHDM.
b.Reporting Loss or Damage:
i.Any damage or loss or other change in the condition of a Work, whether it
may have occurred in transit or on OPM’s premise, and regardless of who
may be responsible, must be reported immediately to RHDM’s Collections
and Exhibitions Department.
ii.OPM will comply with instructions RHDM may provide concerning
handling or treatment of such Work. Except for emergency procedures to
arrest the possibility of future damage, OPM will not make or permit the
making of repairs of any Work, unless and until OPM receives advance,
written permission from RHDM.
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iii.Damage to any Work, or change in its condition, will be photographed
immediately at the time of discovery and the photograph will be included
with the written report that OPM provides to RHDM. If the damage
appears to have occurred during shipment, OPM will preserve all packing
materials for inspection, and will photograph the packing case and
materials upon discovery of the damage. In all circumstances, OPM will
cooperate with RHDM in giving written notice to the shipping companies
and the insurance carriers.
iv.In the instance of damage to or loss of a Work, only RHDM may make
direct contact with the lender.
c.Conservation: Except for emergency procedures to arrest the possibility of
further damage, OPM will not make, or permit the making of, repairs to a
Work
d.Inspection: RHDM reserves the right to inspect the Works in the Exhibition
at OPM’s premises at any time for the purpose of verifying their physical
condition and if necessary to withdraw a Work or Works from public display
at any time prior to the closing date of the Exhibition at OPM’s premises.
9.Insurance
a.OPM’s Responsibility: OPM agrees to provide standard “all risk” “wall-to-
wall” fine arts insurance coverage for the Works attached in Exhibit A,
subject to the standard exclusions, terms, and limits of its fine arts insurance
policy, beginning when the Works are in transit to OPM, during the
Exhibition period, and during return transit to RHDM. OPM agrees to comply
with any lender request for a certificate of insurance (COI). OPM agrees to
notify RHDM promptly of any changes or modifications to OPM’s insurance
policy.
10.Environmental Conditions
a.Facility - General: The Exhibition must be installed in a fireproof or fire-
resistant facility equipped with systems for adequate controls of temperature,
humidity and lighting, fire detection/prevention and security, that operate on a
24-hour-per day, 7-day-per week basis.
b.Conditions – General: Unless otherwise stipulated by lenders, temperature,
humidity and light levels for the Works during all aspects of unpacking,
installation, display, dismantling, packing, and storage must meet the
following museum standards at 70° + 3° and 50% RH + 5 RH %; light levels
5-10 footcandles (50-100 lux). RHDM’s Collections and Exhibitions
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department must be notified immediately of any fluctuations in temperature
and humidity greater than those specified above.
c.Protection of Works: OPM will not permit Works to come into direct contact
with or close proximity to heating or ventilation outlets. OPM will not expose
works on paper (including photographs and periodicals) to sunlight, strong
incandescent or halogen light, or fluorescent light (unless fluorescent fixtures
have been fitted with ultra-violet resistant filters).
d.No Direct Light: OPM will cover sources of direct light in the galleries in
which the Exhibition is installed.
e.Additional Stipulations: OPM will comply with additional stipulations
provided by lenders and/or RHDM’s conservators.
f.Facility Report: Prior to the opening of the Exhibition at its premises, OPM
will provide RHDM's Director of Collections and Exhibitions with a current
AAM General Facility Report for the building and the specific galleries
(including floor plans of the galleries) and other areas where the Exhibition
will be installed, held, or stored. The information in this Report will be
subject to RHDM's approval. OPM represents and warrants that its Facility
Report will be accurate and complete in all material respects, and that RHDM
may continue to rely on the matters reported therein until such time as the
Exhibition leaves OPM’s premises. OPM will notify RHDM's Director of
Collections and Exhibitions within 24 hours of any material change to the
conditions listed in its Facility Report while in custody of the Exhibition.
11.Installation
a.Care of Works: OPM will exercise the same care with respect to the
safekeeping of the Works as it does for works of great merit and value in its
own collection.
b.Preparation for Installation: OPM will be responsible for preparing its
galleries for installation of the Exhibition, including but not limited to
reconfiguring and painting of the Exhibition galleries (at OPM’s discretion);
lighting; labels and signage. Installation of the Exhibition will not take place
until all construction and painting in the galleries and nearby spaces has been
completed prior to the arrival of the Works in this area.
c.Installation Design: Subject to conditions set forth by the lenders for the
Works and the other terms and conditions of this Agreement, any design will
be shown to RHDM for final approval, not to be unreasonably withheld or
delayed. RHDM will provide OPM with its own plans for the design and
installation of the Exhibition at RHDM.
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d.Installation Schedule: OPM will provide RHDM with an installation schedule
at least 4 weeks prior to the first day of the installation period. RHDM
courier(s) will be present for installation. RHDM and OPM will collaborate
and agree upon the travel arrangements.
e.Installation: OPM is responsible for the physical installation of the
Exhibition, including but not limited to construction, exhibition furniture and
graphics not provided by RHDM, and other display units, audio-visual
equipment, lighting.
f.No Change to Works: Works may not be unmatted, unframed, or unmounted,
and no change will be made in the manner in which Works are installed, as
specified in the installation instructions provided by RHDM, without the
advance, written approval of RHDM.
g.Specific Installation Requirements: RHDM will identify in advance Work(s)
in the Exhibition, which require barriers, vitrines and/or locking/secure cases,
and will provide specifications. Hanging hardware will be provided for
framed Works. OPM will not remove or reposition these devices, nor affix
other types of hanging devices, without advance, written permission of
RHDM.
h.Object Labels and Wall Text: RHDM will provide one set of labels and
designed graphics to be hung with the exhibition. If OPM desires to produce
their own set of labels and graphics, RHDM will provide OPM with an
electronic copy containing the information. However, production is subject to
RHDM’s prior written approval, and OPM will be responsible for all costs of
producing such labels and graphics.
12.Maintenance
After completion of the installation, Works will not be dusted, cleaned, or handled
in any way unless specifically requested or approved by RHDM's Collections and
Exhibitions department in advance and in writing. All such work, if requested and
approved, must be accomplished by trained personnel.
13.Security
a.OPM’s Security: The area in which the Exhibition is temporarily stored,
unpacked/repacked, examined, and otherwise prepared in advance of its
installation and following its dismantling must be secure at all times. OPM
agrees to maintain industry standard security precautions against fire, theft,
handling by unauthorized personnel, and other hazards. Display cases must
remain locked and alarmed at all times. During non-working hours this area
must be monitored electronically and toured regularly by OPM's security staff.
During the hours the Exhibition is installed, on public view, or whenever the
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galleries are open to staff and/or special groups, security staff sufficient to
fully cover the Exhibition must be deployed. RHDM requires that OPM
deploy at least one guard for every two-three galleries during public and
special viewing hours and may impose additional security requirements as
necessary. Galleries must be locked and secure during non-public hours and
must also be monitored electronically and be toured regularly by OPM's
security staff.
b.Required Checks: OPM will make regular security and condition checks of
all Works after the Works are installed.
c.Prohibitions: OPM will prohibit smoking, eating, drinking, large bags and
backpacks in the Exhibition area, storage, receiving, loading dock, and any
other spaces at all times when Works are within those spaces.
14.Credit Line
a.Organizational Credit Line: OPM will use the following organizational credit
line (“Organizational Credit Line”), printed in at least the same or larger font
size as any sponsor credit line, on the entrance title wall of the Exhibition, in
all publicity materials and other communications related to the Exhibition
(including, without limitation: publicity releases, advertisements, invitations,
announcements, posters, gallery guides, web site, brochures, membership
calendars, signage, publicity, audio guide, lectures, promotion and educational
materials and on other electronic or digital matter prepared in connection with
the exhibition).
The exhibition Chicago Collects: Jewelry in Perspective is organized by the
Richard H. Driehaus Museum and curated by Guest Curator Elyse Zorn
Karlin.
b.Local Sponsors: OPM may seek additional funding from local donors for its
presentation. The Organizational Credit Line must precede the
acknowledgment of any local donor. Any such local sponsor credit line must
state that the sponsorship supports only OPM’s presentation of the Exhibition.
For example:
The exhibition at the Oshkosh Public Museum is made possible by [fill in
sponsor’s name].
c.RHDM Approval: OPM agrees that the form and substance of any published
reference to the Exhibition which gives more than a passing mention of
RHDM will be subject to RHDM’s prior written approval. OPM should direct
such requests to Sally-Ann Felgenhauer, Director of Collections and
Exhibitions.
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15.Exhibition-Related Merchandise
a.Merchandise Produced by OPM: Each Party may, at its own initiative and
expense, produce merchandise for the Exhibition, provided necessary
permission has been obtained from Lenders and copyright holders if
applicable. Each Party is responsible for clearing commercial rights. The sale
of merchandise between Parties shall be subject to a separate merchandise
agreement.
16.Publicity and Photography
a.Press Materials: OPM may develop its own press materials and media
coverage materials for the Exhibition. RHDM will share its press materials
with OPM upon request. Any release specific to the Exhibition shall mention
RHDM in a prominent position. RHDM shall review OPM’s press release
prior to its dissemination. OPM agrees to refer any national or international
press to RHDM’s Director of Marketing and Communications.
b.Publicity Images: RHDM can provide images to OPM to be used only for
press, promotional and non-commercial educational purposes related to the
Exhibition, subject to any restrictions provided by RHDM. In the event OPM
seeks to use images for any other purposes, OPM must first confirm with
RHDM that the lender of the Work or applicable copyright holder has
provided permission for such use either in the loan agreement or in a separate
writing. OPM will be individually responsible for all costs and fees for its
reproduction and distribution of the images.
c.OPM will prohibit visitors from using flash photography, tripods, or selfie
sticks in the Exhibition
d.Permitted Filming: Provided that permission is obtained from relevant lenders
and rights holders, if applicable, OPM agrees to limit filming or photography
of the Exhibition by the press and other media organizations to those
circumstances where coverage is related to promotion of the Exhibition.
Any/all authorized photography is subject to the following restrictions:
i.Lights may not be too close or intense.
ii.Flashbulbs or flash equipment may never be used without
RHDM’s permission.
iii.Photography may be done only on the premises of OPM, under
constant supervision of an appropriate member of OPM’s staff.
e.Requirements – Image Reproduction: Images reproduced from black-and-
white photographs or negatives, color transparencies, scans, or slides, whether
for publicity or any other purposes, may not be cropped or bled off the page,
printed in any single color other than black, nor may anything be
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superimposed on the image without the permission of RHDM and the
copyright holder, as required.
f.Requirements – Information Accompanying Images: Full catalogue
information about a Work, its complete ownership credit, the name of the
photographer, and other relevant information, including any applicable
copyrights, as indicated on the labels supplied with the images or in the
Exhibition checklist, must be provided whenever a photograph is reproduced
by OPM or distributed for publicity. This information about the Work must
appear directly under the reproduction, or on the page facing it. The
photographer's credit line and other relevant information, which must always
be indicated, may, in an Exhibition brochure, appear in a separate
photographers' credit listing. In such listings, the page or number of the
reproduction must also be indicated. The copyright designation (where
relevant) must, however, be printed immediately under or beside the
reproduction, unless otherwise stated.
17.Opening Events and Entertainment
Prior to the opening of the Exhibition at OPM, RHDM will provide OPM with a
list of suggested guests to receive invitations to opening celebrations to be held by
OPM. Such list may include and will identify donors of Works, representatives of
RHDM, and other distinguished guests.
18.Final Exhibition Report
OPM will send a final exhibition report to RHDM within 90 days after the close
of the Exhibition at OPM’s premises. It will include the following information:
●Attendance including overall and, to the extent available, school groups
figures
●Operating dates and hours
●Public relations and marketing materials with summary report of media
coverage
●Summary of education programs and copies of printed materials
●List of local sponsors
●Installation images
19.Indemnification
a.OPM agrees to indemnify, defend, and hold harmless RHDM, its trustees,
officers, employees, and agents, from all claims, damage, loss, liability, and
expense (including legal fees and expenses) arising from or related to (a) any
breach of this Agreement by OPM, and (b) any acts, errors or omissions of
OPM, its representatives or agents in connection with the Exhibition or this
Agreement. RHDM will indemnify, defend and hold harmless OPM, together
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their respective directors, trustees, officers, employees, and agents, from all
claims, damage, loss, liability, and expense (including legal fees and expenses)
arising from or related to (a) any breach of this Agreement by RHDM, and (b)
any acts, errors or omissions of RHDM in connection with the Exhibition or this
Agreement.
20.Legal Actions or Proceedings
a.If any legal actions or other legal proceedings are commenced relating to the
Exhibition and OPM is named as a defendant or respondent therein, OPM
agrees to give prompt notice to RHDM and to cooperate with RHDM in any
litigation that might ensue. Should any action be commenced against OPM
and/or RHDM to attach or seize any work in the Exhibition, OPM agrees to
cooperate with RHDM in defending itself and RHDM against such litigation.
21.Cancellation
a.In the event that RHDM is unable to provide the Exhibition to OPM, RHDM
will promptly refund to OPM the Participation Fee already paid by OPM in
full and complete satisfaction of its obligation to OPM.
b.If circumstances require OPM to cancel its showing of the Exhibition, RHDM
must be notified in writing two months in advance of the scheduled opening
date and RHDM will refund the Participation Fee. If OPM cancels its showing
of the Exhibition less than two months in advance of the scheduled opening
date, RHDM will retain the Participation Fee pursuant to Section 6.a (plus any
Shared Cost expenses incurred or to which RHDM has committed as of the
date of OPM's cancellation). Payment will be due immediately upon
cancellation. Should these expenses total less than the estimated Shared
Costs, outlined in Exhibit B, a refund will be issued to the OPM for the
difference.
22.Force Majeure
No party to the Agreement will be responsible or liable for damages caused by a
delay or failure in the performance of this Agreement or any provision hereof, or
by a delay or failure which causes cancellation of this Agreement, if such a delay
or failure is due to a cause beyond its reasonable control, such as, but not limited
to, fires, strikes, scarcity of materials or fuel, war or acts of war, acts of mobs or
rioters, acts of public authorities, delay or defaults caused by public carriers, or
storms, floods, or other acts of nature.
23.Governing Law
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This Agreement will be construed according to the laws of the State of Illinois,
without regard to its conflict of law provisions.
24.Entire Agreement
a.This Agreement between RHDM and OPS is intended as a final expression of
the arrangements for the Exhibition and is a complete and exclusive statement of
the agreement and understanding of the parties. This Agreement supersedes and
replaces all prior documents, correspondence, conversations, and other written
or oral understandings related to this Agreement that are not consistent with or
are not contained herein. OPM may not transfer or assign this Agreement, in
whole or in part, in any manner whatsoever without the prior written consent of
RHDM.
If the terms enumerated above are acceptable to you, please indicate your
approval by signing this contract and returning one copy to RHDM.
IN WITNESS WHEREOF, the parties have executed this agreement the day and year first
written below.
THE RICHARD H. DRIEHAUS MUSEUM THE OSHKOSH PUBLIC MUSEUM
By: ________________________________ By: _______________________________
Lisa M. Key Anna Cannizzo
Executive Director Director
Date: ______________________________ Date: _____________________________
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7/24/20258/5/2025
IN WITNESS WHEREOF, the parties hereto have executed this Loan Agreement as of
the effective date.
Borrower:
Oshkosh Public Museum
1331 Algoma Blvd.
Oshkosh, WI 54901
By:
____________________________________________________ _____________
Anna Cannizzo Date
Director
____________________________________________________ _____________
Rebecca Grill Date
City Manager
____________________________________________________ _____________
Diane Bartlett Date
City Clerk
____________________________________________________ _____________
Lynn Lorenson Date
City Attorney
____________________________________________________ _____________
Julie Calmes Date
Director of Finance
Docusign Envelope ID: 34B21B90-2AF2-4C6D-B282-E3717AA955E9
7/24/2025
7/28/2025
7/25/2025
7/24/2025
7/24/2025
Object List with Image
The Richard H. Driehaus Museum
Object Number Classification Attribution Object Name / Title, Date Image
1.2016.234 Jewelry Tiffany & Company Necklaces
Necklace, c. 1915
2.2017.163 Jewelry Louis Comfort Tiffany Brooch
Brooch, c. 1910
3.2017.164 Jewelry Louis Comfort Tiffany Ring
Ring, c. 1920
4.2017.239 Jewelry The Kalo Shop Brooch
Brooch, 1900-1970
5.2017.249 Jewelry Louis Comfort Tiffany Necklaces
Arts and Crafts Gold and Opal
Necklace, c. 1900
6.2017.302 Jewelry The Kalo Shop Rings
Arts and Crafts Ring, 1910-1920
7.2024.1.1 Jewelry Whitney Abrams Contemporary Ring
Contemporary Ring, 2020
8.2024.1.2 Jewelry Whitney Abrams Meteorite Pendant
Meteorite Pendant, 2012
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Exhibit A - Exhibition ChecklistDocusign Envelope ID: 34B21B90-2AF2-4C6D-B282-E3717AA955E9
Object List with Image
Object Number Classification Attribution Object Name / Title, Date Image
9.2024.3.1 Jewelry Dora Winchester Carved amethyst necklace
Carved Amethyst Necklace, 2014
10.2024.4.1 Jewelry Daniel Pederson Bracelet
Bracelet, circa 1930
11.2024.4.2 Jewelry Brandt Metal Crafters Ring
Ring, 1912
12.2024.4.3 Jewelry John Pontus Petterson Brooch
Brooch, 1923
13.2024.5.1 Jewelry Mid Century Modern Brooch
Mid Century Modern Brooch, circa
1960-1970
14.2024.5.2 Jewelry Georg Jensen, Inc.Brooch
Brooch, circa 1940
15.2024.5.3 Jewelry Sputnik Brooch
Sputnik Brooch, circa 1960
16.2024.5.4 Jewelry Sputnik Brooch
Sputnik Brooch, circa 1960
17.2024.5.5 Jewelry Sputnik Brooch
Sputnik Brooch, circa 1960
18.2024.5.6 Jewelry Sputnik Brooch
Sputnik Brooch, circa 1960
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Object List with Image
Object Number Classification Attribution Object Name / Title, Date Image
19.2024.5.7 Jewelry Concentric Circle Earrings
Concentric Circle Earrings, 1960s
20.2024.6.1 Jewelry Tammy Kohl Treasure Ring
Treasure Ring
21.2024.6.2 Jewelry Tammy Kohl Treasure Ring
Treasure Ring, 2024
22.2024.6.3 Jewelry Tammy Kohl Morganite Monument Ring
Morganite Monument Ring, 2019
23.2024.8.1 Jewelry Margery Hirschey Barcelona Crown Necklace
Barcelona Crown Necklace, 2022
24.2024.8.2 Jewelry Todd Reed Hand Forged Bracelet
Hand Forged Bracelet, 2006
25.2024.9.1 Jewelry Mid Century Modern Ring
Mid Century Modern Ring, 1960s
26.2024.9.2 Jewelry Mid Century Modern Ring
Mid Century Modern Ring, 1960s
27.2024.9.3 Jewelry Walrus Brooch
Walrus Brooch, 1960s
28.2024.9.4 Jewelry Dog Brooch
Dog Brooch, 1960s
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Object Number Classification Attribution Object Name / Title, Date Image
29.2024.9.5 Jewelry Cuff Bracelet
Cuff Bracelet, 1960-1970s
30.2024.10.1 Jewelry Ellie Thompson Hydrangea Bracelet
Hydrangea Bracelet, 2024
31.2024.11.1 Jewelry Marshall Field Silver Workshop Marshall Field Workshop Brooch
Marshall Field Workshops Brooch, circa
1910
32.2024.11.2 Decorative
Objects
The Kalo Shop Kalo Card Tray
Kalo Card Tray, 1912
33.2024.11.3 Jewelry Matthias Hanck Pendant
Pendant, circa 1915
34.2024.11.4 Jewelry The Kalo Shop Two Pendant Necklace
Two Pendant Necklace, circa 1908
35.2024.12.1 Jewelry Dora Winchester Bracelet
Bracelet, 2014
36.2024.16.1 Jewelry Leda and the Swan Cameo
Leda and the Swan Cameo, early 20th
century
37.2024.16.2 Jewelry Venus with Cupid Cameo
Venus with Cupid Cameo, 19th century
38.2024.16.3 Jewelry Symbolic Lock Pendant
Symbolic Lock Pendant, 19th century
39.2024.16.4 Jewelry Bi Pendant
Bi Pendant, 19th century
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Object Number Classification Attribution Object Name / Title, Date Image
40.2024.18.1 Jewelry Paul Grandhomme Brooch
circa 1880
41.2024.18.2 Jewelry Henri Willis Bendel Brooch
c. 1880
42.2024.18.3 Jewelry Paulding Farnham Pendant/Brooch
19th Century
43.2024.18.4 Jewelry Robert Phillips Pendant
c. 1890
44.2024.18.5 Jewelry Pendant
c. 1885
45.2024.18.6 Sculpture Monstrance
19th century
46.2024.18.7 Jewelry Eugene Fontenay Pendant Locket
c. 1870
47.2024.18.8 Decorative
Objects
Paul Revere, Jr.Creamer
c. 1798
48.2024.18.9 Jewelry Plisson et Hartz Stick Pin
c. 1895
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Object Number Classification Attribution Object Name / Title, Date Image
49.2024.18.10 Jewelry Jean-Valentin Morel Bracelet
c. 1845
50.2024.18.11 Jewelry Pendant
c. 1870
51.2024.18.12 Jewelry Renaissance Revival Necklace
c. 1870
52.2024.18.13 Jewelry Bracelet
53.2024.18.14 Decorative
Objects
Eda Lord Dixon Covered Box
c. 1915
54.2024.18.15 Jewelry The Kalo Shop Pendant Brooch
55.2024.18.16 Decorative
Objects
The Kalo Shop Trophy Vase
56.2024.18.17 Jewelry The Kalo Shop Brooch
57.2024.18.18 Jewelry Necklace
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Object Number Classification Attribution Object Name / Title, Date Image
58.2024.18.19 Jewelry Pendant
c. 1600
59.2024.18.20 Jewelry Pendant
Late 17th century
60.2024.18.21 Jewelry Pendant
c. 1680
61.2024.18.22 Decorative
Objects
Archibald Knox Candlesticks
1902
62.2024.18.23 Decorative
Objects
Archibald Knox Playing Card Box
1905
63.2024.18.24 Decorative
Objects
Fleetwood Charles Varley Box
c. 1920
64.2024.18.25 Decorative
Objects
Charles Rennie Mackintosh Suite of Cutlery
1902
65.2024.18.26 Jewelry Arthur and Georgie Gaskin Choker
c. 1905
66.2024.18.27 Jewelry Mary Thew Necklace
c. 1925-1940s
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Object Number Classification Attribution Object Name / Title, Date Image
67.2024.18.28 Jewelry Archibald Knox Galleon Pendant
c. 1900
68.2024.18.29 Jewelry Dorrie Nossiter Sûreté Pin
c. 1930
69.2024.18.30 Jewelry George Hunt Clip Brooch
c. 1930
70.2024.18.31 Jewelry Murrle Bennett & Company Brooch
c. 1900
71.2024.18.32 Jewelry Pendant
c. 1900
72.2024.18.33 Jewelry George Hunt Brooch
1937
73.2024.18.34 Jewelry Ramsden & Carr Pendant
74.2024.18.35 Jewelry Sibyl Dunlop Sun and Moon Brooch
c. 1930
75.2024.18.36 Decorative
Objects
Georg Jensen The Hepburn Wedding Goblet
1925-1932
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Object Number Classification Attribution Object Name / Title, Date Image
76.2024.18.37 Jewelry Alfred Jean Garnier Pendant
c. 1890
77.2024.18.38 Jewelry Lucien Gautrait Pendant
78.2024.18.39 Jewelry Tiffany & Company Necklace
c. 1910
79.2024.18.40 Jewelry Pendant Necklace
c. 1890
80.2024.18.41 Jewelry Emile Froment-Meurice Brooch
c. 1900
81.2024.18.42 Jewelry Max Strobl Pendant
c. 1900
82.2024.18.43 Jewelry Jules Bennezon Brooch
c. 1900
83.2024.18.44 Jewelry Josef Siess Sohne Primavera Brooch
c. 1905
84.2024.18.45 Architectural
Elements
Fabergé Bell Push
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Object Number Classification Attribution Object Name / Title, Date Image
85.2024.18.46 Decorative
Objects
Fabergé Frame
1896-1908
86.2024.18.47 Decorative
Objects
Fabergé Bonbonnière
c. 1903
87.2024.18.48 Decorative
Objects
Fabergé Table Barometer
1896-1908
88.2024.18.49 Jewelry Fabergé Necklace
c. 1900
89.2024.18.50 Jewelry Fabergé Brooch
c. 1880
90.2024.18.51 Jewelry Fabergé Pendant Mirror
1896-1908
91.2024.18.52 Jewelry Fabergé Pendant
1913
92.2024.18.53 Jewelry Fabergé Pendant
1915
93.2024.18.54 Decorative
Objects
Cigarette Case
1899-1908
94.2024.18.55 Jewelry Ring
c. 1925
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Object Number Classification Attribution Object Name / Title, Date Image
95.2024.18.56 Jewelry Jean Després Brooch
c. 1932
96.2024.18.57 Jewelry Tiffany & Company Bracelet
97.2024.18.58 Decorative
Objects
F. Zwickl Cigarette Case
c. 1928
98.2024.18.59 Decorative
Objects
Jean E. Puiforcat Mantel Clock
c. 1930
99.2024.18.60 Jewelry Brooch
c. 1925
100.2024.18.61 Jewelry Jean Després Pendant
c. 1930
101.2024.18.62 Decorative
Objects
Vanity Case
c. 1925
102.2024.18.63 Jewelry Handbag
c. 1925
103.2024.18.64 Jewelry Jean Després Brooch
c. 1930
104.2024.18.65 Jewelry Brooch
c. 1925
105.2024.18.66 Jewelry Brooch
c. 1925
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Object Number Classification Attribution Object Name / Title, Date Image
106.2024.18.67 Jewelry Brooch
c. 1935
107.2024.18.68 Windows Mary E. McDowell "Salve" and "Vale" Windows
1898
108.2024.18.69 Decorative
Objects
Louis Comfort Tiffany Vase
c. 1895-1896
109.2024.18.70 Jewelry Tiffany Studios Commemorative Medallion
1918
110.2024.18.71 Jewelry Tiffany Studios Presentation Medal
1955
111.2024.18.72 Jewelry Louis Comfort Tiffany Necklace
c. 1915
112.2024.18.73 Jewelry Karl Carius Brooch
c. 1890
113.2024.18.74 Jewelry Georg Stöger Pendant
c. 1915
114.2024.18.75 Decorative
Objects
Josef Hoffmann Napkin Rings
1922-1924
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Object Number Classification Attribution Object Name / Title, Date Image
115.2024.18.76 2-Dimensional
Works
Josef Hoffmann Pattern Design
c. 1925
116.2024.18.77 Decorative
Objects
Johann Lötz Witwe Vase
c. 1902
117.2024.18.78 Decorative
Objects
Vase
118.2024.18.79 Decorative
Objects
Josef Hoffmann Coffee Service
1913
119.2024.18.80 Jewelry Otto Prutscher Pendant Necklace
1901-1902
120.2024.18.81 Decorative
Objects
August Klein Wallet
c. 1900
121.2024.18.82 Jewelry pendant
c. 1895
122.2024.18.83 Decorative
Objects
Josef Hoffmann Pill Box
c. 1910
123.2024.18.84 Decorative
Objects
Josef Hoffmann Book
Souvenir of Karlsbad
124.2024.18.85 2-Dimensional
Works
Koloman Moser Painting
1911
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Object Number Classification Attribution Object Name / Title, Date Image
125.2024.18.86 Decorative
Objects
René Lalique "N" Parfum Scent Bottle
1929
126.2024.18.87 Sculpture René Lalique Suzanne Statuette
1925
127.2024.18.88 Jewelry Frédéric de Vernon "Gallia" Brooch
1897
128.2024.18.89 Jewelry Sycamore Comb
c. 1900
129.2024.18.90 Jewelry René Lalique "Pour les Blesses de la Tuberculose"
Medallion
c. 1915
130.2024.18.91 Jewelry "Summer" Brooch
c. 1900
131.2024.18.92 Jewelry Georges Fouquet Pendant
c. 1900
132.2024.18.93 Jewelry René Lalique "Wisteria" Panel Brooch
c. 1900
133.2024.18.94 Jewelry Necklace
c. 1901
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134.2024.18.95 Decorative
Objects
W.M.F.Pair of Figural Vases
135.2024.18.96 Jewelry Wilhelm Lucas von Cranach Pendant/Brooch
c. 1900
136.2024.18.97 Jewelry Adolf Von Mayrhofer Pendant
c. 1912
137.2024.18.98 Jewelry Necklace
c. 1900
138.2024.18.99 Jewelry Carl Braun Pendant/Brooch
c. 1908-1909
139.2024.18.100 Decorative
Objects
"Darmstadt" Box
c. 1925
140.2024.18.101 Jewelry Ludwig Bub Pendant
c. 1924
141.2024.18.102 Jewelry Wilhelm Ullrich Brooch
1901
142.2024.18.103 Jewelry Murrle Bennett & Company Brooch
c. 1900
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Object Number Classification Attribution Object Name / Title, Date Image
143.2024.18.104 Jewelry W.M.F.Walking Stick Handle
c. 1900
144.2024.18.105 Jewelry Georg Pezold Brooch
c. 1902
145.2024.18.106 Decorative
Objects
Patriz Huber Cigarette Case
c. 1900
146.2024.18.107 Jewelry Levinger & Bissinger Pendant
c. 1900
147.2024.18.108 Jewelry Brooch
148.2024.18.109 Jewelry Buckle
c. 1900
149.2024.18.110 Jewelry Christian Seybold Brooch
c. 1900
150.2024.18.111 Jewelry Cart Herman Pendant
c. 1900
151.2024.18.112 Jewelry Merle & Meyer Pendant
c. 1900
152.2024.18.113 Jewelry Theodor Fahrner Brooch
c. 1900
153.2024.18.114 Jewelry Mogens Ballin Brooch
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Object Number Classification Attribution Object Name / Title, Date Image
154.2024.18.115 Jewelry Udall & Ballou Brooch
155.2024.18.116 Decorative
Objects
Paulding Farnham Paper knife
c. 1902
156.2024.18.117 Jewelry Oscar Heyman & Brothers, Inc.Brooch
c. 1940
157.2024.18.118 Jewelry Tiffany & Company Brooch
c. 1925
158.2024.18.119 Jewelry Paulding Farnham Brooch
c. 1900
159.2024.18.120 Jewelry Paulding Farnham Brooch
c. 1900
160.2024.18.121 Jewelry Tiffany & Company Brooch
161.2024.18.122 Jewelry Anne Howe Geyer Ring
162.2024.18.123 2-Dimensional
Works
Anne Howe Geyer Rendering
163.2024.18.124 Jewelry Louis Comfort Tiffany Brooch Pendant
c. 1900
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Object Number Classification Attribution Object Name / Title, Date Image
164.2024.18.125 Decorative
Objects
Michael Graves Tea and Coffee Service
165.2024.18.126 Jewelry Georg Jensen, Inc.Pendant
c. 1933-1944
166.2024.18.127.1 Jewelry Henning Koppel Brooch
c. 1995
167.2024.18.127.2 Jewelry Henning Koppel Brooch
c. 1995
168.2024.18.127.3 Jewelry Georg Jensen, Inc.Brooch
1962
169.2024.18.128 Sculpture Gothic Revival Niche and Figure
Late 19th - early 20th century
170.80988 Decorative
Objects
Tiffany Studios Receptacles
Scent Bottle, c. 1900
171.120024 Jewelry René Lalique Pendants
"Romeo and Juliet" Pendant, c. 1900
172.120030 Jewelry René Lalique Brooches
Art Nouveau Panel Brooch, c.1900
173.120051 Jewelry Wolfers Frères Necklaces
Pendant and Chain, c.1890-1893
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Object Number Classification Attribution Object Name / Title, Date Image
174.120085 Jewelry René Lalique Brooches
Chrysanthemum Pendant/Brooch, c.
1900
175.120099 Jewelry Probably by Anton Pribil Brooches
Malachite Brooch, c.1915-1920
176.120106 Jewelry Maison Vever Necklaces
Plaque de Cou, circa 1905
177.120148 Jewelry Frederick James Partridge, for
Liberty & Company
Hair Ornaments
Tiara, Corn Design, circa 1900
178.120163 Jewelry Karl Rothmuller Brooches
Mermaid Brooch, c. 1900
179.120185 Jewelry Child & Child Hair Ornaments
Pre-Raphaelite Tiara, c. 1900
180.120196 Jewelry Child & Child Buckles
Arts and Crafts Butterfly Buckle, 1899
181.120212 Jewelry Lucien Gautrait (brooch), Léon
Gariod (chain)
Brooches, Necklaces
Winged Scarab Brooch and Chain, circa
1899-1900
182.120228 Jewelry Manolo Pendants
Art Nouveau Locket, c. 1900
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Object Number Classification Attribution Object Name / Title, Date Image
183.120259 Jewelry Bernard Instone Bracelets
Arts and Crafts Silver Bracelet, c. 1920
184.120373 Jewelry Bruno Paul, for Louis Kuppenheim Boxes
Cigarette Case, c. 1900
185.120444 Jewelry The Artificers' Guild Pendants
Arts and Crafts Pendant, c. 1900
186.120465 Jewelry Antoine Bricteux Pendants
Art Nouveau Pendant, c. 1900
187.120470 Jewelry Berthold Löffler, for The Wiener
Werkstätte
Pendants
Putto Locket, c. 1907-1909
188.120533 Jewelry Louis Comfort Tiffany, for Tiffany
& Company
Brooches
Art Deco Yellow Sapphire, Emerald,
Citrine and Onyx Brooch, c. 1920
189.120568 Jewelry Designed by Joe Descomps Brooches
Art Nouveau Diamond and Gold
Brooch, c.1900
190.120704 Decorative
Objects
René Lalique Plaque
Gilt Invitation Plaque
191.120762 Jewelry Marcus & Company Brooches
Brooch Pendant, c. 1900
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Object Number Classification Attribution Object Name / Title, Date Image
192.120770 Jewelry The Kalo Shop Brooches
The Kalo Shop Secessionist Brooch
193.120799 Jewelry Josef Hoffmann Hair Ornaments
Tiara, c. 1905
194.150290.4 2-Dimensional
Works
Lalique Drawings
Jewelry Design, c. 1910
195.RHDM.2017.2.137 Decorative
Objects
Archibald Knox, for Liberty &
Company
Receptacles
Silver Vase, 1903
196.RHDM.2019.3.2 Jewelry Adolf Schneider Watch
King Ludwig II Pocket Watch and Seal,
c. 1885
197.RHDM.2019.4.1 Decorative
Objects
Koloman Moser Clock, 1907-1908
198.RHDM.2022.20.1-1
7
Decorative
Objects
Tiffany Studios Desk sets
"Ninth Century" Desk Set, c. 1910
199.TOT2022.14 Decorative
Objects
Emile Gallé Table
"Libellules" Table, Circa 1900
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